More on making audio books

Audio books are very good at showing you your strengths and weaknesses.  Listening to the narrator read the words I’ve written shows me where I got on rolls, and everything flowed.  It also shows where I thought I had been on a roll, and how discordant the words sound versus when I wrote them.

Another feature is how much you learn how to LISTEN.  Listening is a nearly lost art I feel.  With the absolute flood of immediate information, people get used to ‘immediate and now’.  Nuances tend to be missed.  In an audio book, you have to listen for those shifts, pay close attention to how the words are spoken as much as why.

Description becomes important here as the setting, the where is as important as the other pieces. A verbal description that is good can help pull the listener into the story and experience, rather than simply hear someone reading the words.

All that feedback is there in the narrator, and it is, to me, so valuable to understand how it sounds, compared to just reading it myself.

The revelations of collaborating on an audio book

One new experience I’ve had since being published, is the creation of an audiobook of ‘Best Intentions’. To say it was a learning experience, catches the essence, but it was way more than that.

One thing I’ve learned is that what sounds great in my head, comes out on audio and my first thought is, “What the hell was I thinking?” There were more than a few places that got past me, the editors, and publisher that the audio found loud and clear. I’d read to myself before, but hearing another person put her words to the book brought out and highlighted every flaw in my writing tenfold.

That gave me new incentive to get it right the first time. And I had to learn how to listen all over again. To hear the mistakes, and mark the places to clean up. The narrator had to put up with my mind erratically catching and missing corrections. I made it a lot harder on her, and everyone involved, than it needed to be.

( more about the experience on the next post )

Can you spot the perspective?

I’ve started a story.  Can you identify the perspective that it is being written from?

 

“Mo-om! Hurry up! I got to get to the corner for the bus!” The girl scampered past the walnut-stained oak table and chairs as her mother turned from the refrigerator, and held out a brown paper bag to the child. The girl, her chocolate brown hair done in a pair of pigtails, held by bright orange glass beads and leather ties, skipped towards the door, then turned her pale, freckled face back to the olive-skinned woman in the kitchen. “I’ll see you after school!”

The screen door banged open, the rusty spring giving a groaning tweak as it stretched, then a lower groan as it contracted, slamming the screen back in place. A fly buzzed past the table, landing on one of the matching chairs surrounding it. The chair was armless, resting on four crudely cut legs, that had been squared and joined to the front leg by a cross piece of stained oak. Both sets of legs and crosspieces were then joined by a third crosspiece, joining the two other slats together, forming an ‘H’ between the legs. The front legs were cut flat at near knee-high level to allow the seat to be attached, while the back legs rose, and were joined by two curved slats to create a skeleton backrest. The fly chose the top slat to perch upon as it surveyed the space near it for danger.

The pale, flower-patterned linoleum floor was of no interest to the fly. It had followed the scent of raw meat, flying through the small, seconds available opening just as the daughter had run out. It’s eggs needed protein. The meat scent it followed would supply the new generation. It hovered, then landed on the back of the chair, to rest and re-orient. The woman, clad in blue jeans and a pale yellow blouse, walked past the chair and into another room, startling the fly into flight, then, as it found the scent once more, buzzed over to the counter by the stove.

The smell was overpowering and the fly dropped onto the surface, using it’s feet to hunt for nourishment. Disappointingly, there was nothing but the scent, and no food for it’s impatient eggs to hatch upon. Its attempt to exit the direction it came in was stymied by a harsh grate it was too large to fit through.

The Magic of Perspective

There’s an old adage that says, “There’s your perspective, there’s the other guy’s perspective, and then there’s the truth.”

If you’ve ever been in small claims court, you can see this repeated endlessly. Two people arguing about who is right, who has the truth of it, and utterly convinced that their view, their perspective is the absolute truth.

Some may sidestep this a bit, by laying claim to the absolute of the law, and how they followed the letter of it, even if the results were detrimental to another.  And sometimes this can be a deliberate warping of the letter away from the intent or reason for the law.

But it all comes down to perspective.  How do the people in question on both sides see what happened?

Sometimes in writing, logic doesn’t fulfill the reason for a story. Look beyond just a logical premise.
Llook at other things, like perhaps the mind of a man trapped inside himself, or from the perspective of a chair in a house, which is a silent witness to the comings and goings around it.
Take chances and see what comes from a different perspective.  Because, there’s not just one perspective.

A few thoughts on what I’ve learned about writing

What I learned about being a writer is that

a) it’s hard work,

b) there are long days of struggle with few sentences, and occasional bursts of inspiration that can cover pages,

c) the stories are what drive the writer, the desire to see for themselves, what happens next, and finally

d) there is nothing like seeing the end of the story so another can begin.

The Importance of reading when writing

Writing is what I like doing, and what I want to do. But I do notice that when I read, words are not as hard to come by.  By reading, I set my mind into looking at, and for, words to use in the story I am writing.  The words still struggle, but I’ve more focus for the writing, and this also benefits in that there are more synonyms that come to mind for a word, and that makes reading more interesting.

Saying Goodbye (A short story) – J Dark – post 2


Mom dressed all the time in old clothes and dark colors. When we went out to the store, it was usually in the very early morning. Mom always told me that it was best, because there weren’t many people around and it made shopping easier. Looking back, I think it was because at those hours, hardly anyone she had met at her ‘job’ would be around. She table-danced, or stripped, whichever describes it best for you. Mom hated it, and came home crying a lot. That would make Dad unhappy and those were when the biggest fights happened. About her job. About the money she brought home because dad couldn’t work. About him not working. They always fought. They didn’t pay much attention to me then. I learned to hide in my room when their voices started to get an edge. It meant that things were going to get broken, and a lot of slapping and throwing. It was better in my bedroom.

As I look at the memory of it, that room was my refuge. The one place I had some little privacy of my own. It wasn’t sacrosanct. Both mom and dad would come in to wake me up, or yell at some accident, or even hide from one another, either in play, or, you know. The not-fun-not-play stuff like fighting or yelling or crying. Dad did it a little more than mom. He’d charge in and slam the door, then lean against it. Mom would pound a few times, then go quiet. Dad watched me as he leaned on the door. He’d hold his first finger to his lips and go ‘shhhh’.

Saying Goodbye ( a short story ) – J Dark – part 1

Do you know how you’re going to say goodbye to someone? Is it going to be a loving embrace and a soft caress of their cheek before they go to the great beyond? Or, is it going to be heated words and a pistol stuck in their belly as they try to argue, or to plead with you, not to pull the trigger? Or is it simply a call in the night? A quick stop at the mortuary to look at a lump of flesh bloated with formaldehyde, because that’s the law? Or, will you, like me, wonder what happened when they just disappear? Here one day, and gone the next, and no clue where.

I remember, or think I do, the last time I saw Mom and Dad. They’d dropped me off at Uncle Soap’s apartment after packing the beat-up gold Ford Taurus for a camping trip. They often went camping alone at least twice a month, down in the Big Bend National Park. I remember him having on his red and black shirt he’d pulled the sleeves off. Mom always told him that was her favorite shirt of his. She’d wear it around the house sometimes to tease Dad. Not that they were all sweetness and love. More than once I heard them screaming back and forth about all sorts of things. Always it was mostly about drugs.

I didn’t understand then, but I think I do now. They argued the most just before they went camping, and were best together after they got back. As a child, I saw the change, and knew it had something to do with them going camping, but it really didn’t matter. Mom and Dad were happy. They paid attention to me, and bought me things like a new set of shoes, or a cool shirt. It’s funny that I remember the clothes but not their faces. I remember Dad always being skinny, and he had fuzz on his face. I don’t remember if it was a beard or mustache, both, or if he just didn’t shave every day. Mom was like Dad, skinny.

When they didn’t go camping, Dad stayed home nights with me while Mom went to work. She’d always dress up in baggy pants and a shirt, and carry lots of bright, flashy clothes that fit in a little carry bag to work. Dad would stay awake with me until I got tired, then I’d get tucked into bed on the couch at the far end of the trailer. I’d fall asleep listening to Dad watch television. Every so often, before I passed out, I’d watch him give himself a shot of ‘medicine’ in between his toes. I know he was shooting up now, but then I knew he was always more happy afterwards, so it seemed a good thing to me. I knew something was off, most four-year-olds can sense things. We’re not yet aware enough of how to lie to ourselves and avoid uncomfortable truths. Denial and delusion aren’t something that’s learned right away.

The New Year, and a skill plateau

Hiya, as you can tell it’s eight days into the New Year and this is the first post.  it’s been a little slow, and for that I apologize.  To get to the situation, Book Three, (current working title “Beguiling Words”) is stubbornly refusing to finish.  It may require a rewrite of the last portion again to find that elusive path to the end.

Frustrations aside, things feel like when a person is moving from conscious thought to a more instinctive reply.  There’s a point in practice, where, at the start you have a steep learning curve, and then a plateau, where movements you have to think about to perform, struggle to become a learned response one doesn’t have to think about.  This is where I’m feeling my writing at the moment.  It’s like I can see more of my weaknesses, and I can get around them by thinking about each word and situation, but there’s the struggle to push on and let the words flow, which then loses some of the descriptive emotional color, or vibrancy of the background.

The job now is to let the lessons I’m seeing in writing sink in and become part of the learned response so I can add more to the story while the instinctual flow can add more color, description, and emotional impact without the conscious part interrupting the creative flow.